Solar Gard HiLite 70 on east and south-facing apartment windows — cutting heat and UV to protect bare wood floors without darkening the glass.
What separates a professional film installation from an amateur one, shown on large-format panels with Panorama HiLite 70 and a two-person crew.
Why glass type comes before film choice — verifying Low-E2 compatibility at Alexander Wang HQ before installing TrueVue 40 solar control film.
Choosing security film thickness for a jewelry storefront — why 8-mil with wet glazing was the right call between under- and over-specifying protection.
A SoHo jewelry store hardened against smash-and-grab and acid graffiti with a two-film system — security film plus anti-graffiti protection on one storefront.
Solar Gard True View 40 on the south-facing glass of Alexander Wang’s HQ — cutting heat, UV, and glare without changing how the building reads from the street.
UV-protection film on the 58th floor of 56 Leonard Street — guarding a renovated penthouse’s finishes and art with no visible change to the landmark facade.
Ecolux 70 Low-E film on thin industrial-style windows — cutting winter heat loss and summer solar gain without replacing frames that define the space.
A 120-foot exterior skylight film at the Museum of Jewish Heritage — UV protection for irreplaceable artifacts under a glazed dome in Lower Manhattan.
Gradient frosted film in a Park Slope hospital lobby — blocking sightlines into staff workstations while keeping the glass partitions open and full of light.
