Why glass type comes before film choice — verifying Low-E2 compatibility at Alexander Wang HQ before installing TrueVue 40 solar control film.
A SoHo jewelry store hardened against smash-and-grab and acid graffiti with a two-film system — security film plus anti-graffiti protection on one storefront.
Five years of acid graffiti with no film protection helped close an East Village storefront — what recurring, unprotected glass damage really costs a retail business.
Under the construction paper of a SoHo jewelry store: acid graffiti, deep scratches, and failed film — all restored and re-protected before opening day.
Solar Gard True View 40 on the south-facing glass of Alexander Wang’s HQ — cutting heat, UV, and glare without changing how the building reads from the street.
Acid-etched panels on a Delancey Street storefront, left half-ground by an unfinished repair, restored to clarity after the damage behind the damage.
UV-protection film on the 58th floor of 56 Leonard Street — guarding a renovated penthouse’s finishes and art with no visible change to the landmark facade.
Cleaning the exterior glass of a 50-story Midtown tower without entering a single apartment — rope access where swing stages and interior entry both failed.
Full facade restoration of two adjacent 125th Street buildings — brick, metal panels, glazing, and graffiti brought back after years of deferred maintenance.
Roughly 300 window panels at 101 Park Avenue, pitted by demolition sparks, restored panel by panel instead of replacing glass at Midtown commercial prices.
